Hi, this is Jay P. Morgan. I’ve got Anaya here with me. We’re going to take a look at the R6 II. And we’re going to compare that with the S5 II from Panasonic. Canon vs Panasonic.
Some new things here on the R6 II, 1. We’ve got a new sensor, we’ve got a higher 24 megapixels and autofocus. Let’s see how the autofocus compares. Let’s see how the sensor, color and the sensor images look. Let’s just get started and see what these two cameras look like. So let’s get to it.
First off, they’re both full frame sensors, 24 megapixel full frame sensors. So they’re on equal playing ground. But price wise, they’re very different. The S5 II is $500 less than the R6 II, major advantage there. But now let’s go over to the computer and take a look at the image test because that for me is really the most important test. Let’s see what the images look like that come off from these two different sensors. Over to the computer we go.
So here’s our first image. It’s the Canon at f/1.8 and the Panasonic at f/1.8. The Panasonic color is just so beautiful. It’s not overdone. The skin tones look wonderful. I feel like the greens are more green, they’re almost a little too green in some ways on the Panasonic. I feel like the color of our Canon looks really good in the orange colors.
When we go to f/2.8 and we look at focus and sharpness on these sensors. I mean, look at the sharpness in the eye of these two. They are just sharp. In some ways, I think maybe the detail is a little sharper on the Canon. They both look really sharp at f/2.8. It just gives you a beautiful sharp image. So there is a little bit blue of in the shadows on the Panasonic.
Now let’s look at several items on these cameras that I think are very much the same. Weight wise, you’ve got the Panasonic at 1.45 pounds. You’ve got the Canon at 1.3 pounds. So similar, lightweight and easy to carry. I think they’re in the same category when it comes to weight.
Memory card slots, you’ve got two SD card slots. I would love to see some kind of CFexpress on these cameras. But they chose to go with two SD card slots. Pretty much the same.
When it gets to a monitor, we have a monitor that is very similar. The S5 II edges out the R6 II just slightly, it has a three inch LCD 1,840,000 dot monitor. Whereas the R6 II has a 1,620,000 dot monitor. So the S5 II does edge out the R6 II just slightly there.
When it comes to that articulating screen on the back, they have very similar screens. It’s easy to get my finger underneath it and to pop it out on both of them. It articulates to a point and then you have to articulate it back. It doesn’t go 360. Both of them are the same. It hits that same point. And you can flip it back in. So they both have the same touchscreen LCD monitor on the back.
So the EVFs in both these cameras are so similar. There’s the numbers. They’re almost exactly the same. But I think the most important thing is, now we move on to autofocus. Let’s look at the autofocus.
So I’m looking at the autofocus test here and we just had the same test we always do. We have them walk straight towards the camera. I just see how that camera tracks. Looks great in the beginning. In the middle here, it starts to have a couple that are a little soft. I mean, just we’re not talking super, super tack sharp. They’re just kind of softish. And then it’s very sharp at the very end. So on the Panasonic I had it set on human detect. And human detect has a hierarchy. It looks first for an eye, if it has an eye it will focus on it. Can’t find an eye, it will find the head. And then it will find the body. And so it has that hierarchy as focus goes.
Now let’s take a look here at the Canon. The Canon is on eye detect. I could see the box the whole time as she was walking towards me. Very clear as she was coming. It looks really good. I mean it looks sharp and right on. But I lose a couple in here, just a little bit. Just a little bit in that transition as she starts to get a little closer. I feel like, for the most part, most of these are sharp. I lose two or three again. I think these two cameras are in this situation are reacting very similar to one another.
When it comes to frame rates on these two cameras, this is really interesting to me. We have seen a certain kind of ceiling on frame rates. But these two cameras have both broken that ceiling. It’s interesting because the Panasonic it does, which is really fascinating, and it does nine frames a second in mechanical. But it does 30 frames a second in electronic. 30 frames a second is exactly what the a1 does, which is a $6,000 camera. 30 frames a second, it’s like, shouldn’t it be a clear winner? Right? But the R6 II does 40 frames a second in electronic shutter and 12 frames a second in mechanical. That’s unheard of. If the a1, which is a $6000 plus dollar camera only does 30, these two cameras match or beat that. But the R6 II today definitely beats out the Panasonic when it comes to frames per second.
Let’s jump over to the computer and take a look at the autofocus video test. Just want to see how these two cameras function and as far as autofocus in video mode, so let’s take a look at that. Then we’re going to talk about aspects for video. Look at the autofocus in video mode. They are really responding the same.
Let’s talk about the video capabilities of these two cameras. Just in a nutshell the R6 Mark II has a complete uncropped 4k. It’s from 24 to 60 fps frames. It oversampled off from 6k. So you’re getting great frame rates from 24 to 60 fps with no crop. Whereas the Panasonic, you’re getting great frame rates 24/30 fps. But when you go to 60 fps you get a crop. So you get a crop. You can go down to 1080 p 2k on these cameras. You can get up to 180 frames or 130 frames, can’t remember what it was. But you can get decent 120 fps on each of these. So I think the Canon edges out the Panasonic just barely when it comes to internal frame rates.
So they both have unlimited record time. I haven’t had any problems with overheating with either of them. But I don’t say, I can’t say I’ve used them enough to really know exactly that that’s a problem. I know that the Panasonic comes with a vent that allows air to flow and it has a small fan that’s going to allow airflow in the camera and it’s going to go forever. It’s not going to overheat. The Canon doesn’t have that and so whether it’s going to overheat or not remains to be seen. I have not heard anything that says it has. We haven’t tested it yet.
So they both have great logs to be able to use. You don’t have to pay money for those. They come with the cameras. So they both have log.
When it comes to external recording on the Panasonic you get a 12 bit via the HDMI. It’s a 6k 24 and 30 fps. But on the Canon you get raw via that HDMI cable. That’s going to be 6k up to 60 frames a second. So it gives you great video out with that HDMI cable. But when you compare these two cameras, the R6 II definitely wins on external recording.
So the one area where the R6 II definitely does not win is in the micro HDMI output. It’s got a small little micro HDMI. Whereas the Panasonic has a full HDMI output, much better.
So the Panasonic does have something that the Canon doesn’t and that is a, what’s called a Real Time Lut. I wasn’t sure about this at first, but it’s proved to be very useful for us. And that is that you can shoot in Log. So you have that great log, but then you put a lut on. It can be a Rec 709, it could be something that you create, and that lut is baked in to the log. But it helps you with workflow purposes.
So now let’s take a look at image stabilization on these two cameras. They both have IBIS. Let’s just see how it looks compared to one another. Let’s take a look at it. Over to the computer we go. So I built a little rig so I could do the image stabilization and have the two cameras on the same two hand rig. When I put these two cameras together, you just get a beautiful fluid kind of look from that Panasonic.
But now let’s move on. Let’s take a look at ISO. Let’s take a look at that ISO test. Back to the computer we go. As I look at these I start at 400 ISO. Things look very clean. Clean in the background.
So let’s just talk about the ergonomics as we wrap this up. I am very, I have used Canon my entire life since they started digital cameras. So I am used to the form factor. I’m used to the grip. I’m used to the hand. I find that the Panasonic is a little smaller.
It does not have, as the Canon does, it does not have an individual kind of collar or knob to be able to change from video to stills. The Canon has that, what used to be the power on the Canon left side on the R6, the first R6. Now with the R6 II, that’s the switch from stills to video. So you can have all of your settings for stills. You can have all your settings for video. And switching that back and forth allows you to jump back and forth from video to stills really quickly and that’s extremely useful.
What you can do on the Panasonic is you can go into the menus and you can separate those two. So on the dial, when you go to the video mode on the dial, it will take you to whatever settings you are setting up as you set up the video mode. So it allows you to do the same thing. But it’s just done on that top dial.
I am missing, on the back of this thing, so much, that D-Tab on the bottom on the Canon. I just, we’ve got it on the Panasonic. I am loving that. Doing so much with that. I just can’t, it drives me crazy on the Canon that they don’t have that. And I find myself trying to move the little button on the top. I don’t like it near as well as having that D-Tab on the bottom.
The one thing that Canon has done to kind of catch up here is to give us a hot shoe that allows us to use sound devices. And it has electronics that run through it to allow you to do sound devices and things.
Who would use these cameras? This is getting confusing to me. Because you’ve got such fast frames per second. I start to perceive these as sports or birds or animal cameras. You’ve got such great video specs. I think they’re great video cameras. I just, it’s really a crossover camera that is starting to push the limits. I think the people that would use these are going to be wedding shooters.