Hi, this is Jay P. Morgan. Today on The Slanted Lens I’m going to take a look at images I’ve shot and show you how I found the right light and how I metered correctly to give myself a great negative. A black and white negative that is going to give me a great scan so […]
How I Shoot Tri-X Black And White Film
Hi, this is Jay P. Morgan. Today on The Slanted Lens I’m going to talk about my favorite black and white film to shoot and that is Tri-X, Tri-X 400 ISO film. You know, back in the day when you’re shooting film and you shot mostly 100 ISO film because you really wanted fine […]
Great Film Photography With Cheap Panoramic Camera
Take a look at this cool vintage panoramic film camera. This cheap Horizon 202 panoramic camera made by Russian KMZ delivers incredible results. It gives you a unique perspective and is an affordable way to get awesome panoramic film images. Hi, this is Jay P. Morgan. Today on The Slanted Lens we’re out here in […]
Why You Should Shoot Film
We are going to talk about why starting with film is the best possible way to learn the settings on your camera before getting into the automatic digital world that will swallow you whole as a photographer and puke you out the other way. As always we got our film processed and scanned by Richard […]
6 Tips on How to Get GREAT Film Scans!
We are out at Richard Photo Lab today talking about different scanners and 6 different ways you can get great scans at your local Photo Lab. We have Bill Pines here with us, who is the general manager at Richard Photo Lab. #1 Scanners So we are looking the Fujifilm Frontier SP3000 scanner here and […]
Canon 70-200 vs. Zeiss 70-200 Lens Comparison
We are here today comparing David and Goliath! We have the Canon 70-200mm lens that is a staple on for many photo and video shoots and we have the new candidate here, the Zeiss 70-200mm. Thanks to our Lezl Gonzales @lezlkoe for helping us out with this comparison! Photo lenses are designed to be lightweight, easy […]
How to Push and Pull Film
We are here today to learn how to push and pull film. For those of you who are unfamiliar with that term, it’s really simple! Let’s take a Portra 800, and set the box speed at 1600 instead, we are underexposing the film by 1 stop. So when we are processing the film, we have […]