The C-Stand Controversy Today on The Slanted Lens we are going to be confronting the C-stand controversy! Whenever I talk about C-stands people ask me where they should put the legs; so I have decided to tackle this question once and for all! The “Film School” Way to Set Up a C-Stand Why do we use C-stands? […]
Spider Monkey Review
Please support new content from The Slanted Lens by shopping with our Samy’s affiliate links. Today on The Slanted Lens we’re reviewing a great little device called The Spider Monkey. It’s made by Spider Camera Holster and is a great accessory to their system. The Spider Monkey is a small clip that you can use […]
TSL Flying with Your Equipment For a Photo Shoot – Headed to Gettysburg
Hi this is Jay P. Morgan. Today on The Slanted Lens we are headed to Gettysburg. I’m going to show you the things that we’re packing to take with us on our shoot. This shoot is unusual because it’s just Julene and I. So I packed accordingly. Julene doesn’t like to carry a lot of […]
Datacolor Spyder5PRO Display Calibration Review
Hi this is Jay P Morgan and today on The Slanted Lens we’re reviewing a new product from Datacolor. It’s called the Spyder5PRO. The Spyder5PRO is a monitor color calibrating software. It’s made so you can calibrate your monitor to help you get a consistent image, to know if your images are exposed correctly, […]
10 Tips for Shooting in a Working Factory
Shooting in a working factory can seem like a daunting task, but here are 10 tips to make it easier.
How To Make Break Away Glass: A Lighting Lesson
What a blast we had shooting and lighting break away glass. It was fun to make it, break it, and light it. In this video we will show you how to make Candy glass and then introduce you to the premier Hollywood product used on set today.
A Simple 3 Hard Light Setup: A Lighting Lesson
In this lesson we will look at lights that don’t have any soft boxes or light modifiers. I used heads with reflectors only.
Commercial Photography from Comp to Finish-A Lighting Lesson
I have been shooting Advertising Photography for many years now. The thing that sets an Ad Photographer apart form other types of shooters is shooting to a comp.
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